Michael Burkitt’s practice is context-specific, or site responsive. His artwork is optimistic and sardonically absurd. This creates lots of room for romance, failure, repetition, labour, humour, love and institutional critique.

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He intends to make meaningful connections with audiences or individuals with ideas, objects, images and performances. 

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Recent projects have explored oral and alternative histories of civic and social narratives through collage, text, print, animation and film.