Concerned by the immobility of art objects, I generously employ performative strategies to encourage participation in my work. I like people to know that it is important they are there then, like you are here now. This immediacy can activate an audience in each exciting, surprising and risky encounter that I manoeuvre.

Often site responsive and context specific, works reflect upon a given environment and the sustainability of institutional critique. Initiating actions, events and interruptions by animating people and objects; I challenge the character of the decisions we make, our ritualized movements and presupposed wisdom, in search of bona fide experiences.